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Rane Seventy-Two MKII Review: The Turntablist’s Mixer

Rane Seventy-Two MKII Review

By NaJade · DJ in Bangkok · Published August 14, 2026

This guide is part of DJ mixers explained: the complete guide.

The turntablist’s mixer — solid steel, Serato to the core, and the unit long-time Rane loyalists refuse to give up. Here’s the honest verdict.

Rane has been making battle mixers for turntablists longer than almost anyone, and the Seventy-Two MKII is its flagship — a 2-channel, Serato-focused, touchscreen battle mixer built in solid steel for the road. It’s the unit that goes head-to-head with Pioneer’s DJM-S11, separated by roughly $100, and the rivalry between them has driven both forward. Where the Pioneer wins on software flexibility and deck count, the Rane answers with better microphone handling, smarter sampler control, and a build reputation that’s near-legendary. Here’s who should buy one.

The Rane Seventy-Two MKII (~$1,899) is Rane’s flagship 2-channel battle mixer for Serato DJ Pro — a touchscreen, dual USB connectivity, solid steel tour-ready build, and the fader feel turntablists swear by. It beats the DJM-S11 on microphone implementation, sampler filtering, and footswitch support. The catches: it’s Serato-only, has no four-deck control, and costs nearly as much as the more flexible Pioneer.

Seventy-Two MKII at a Glance

The key specs and what they mean for you:

SpecSeventy-Two MKIIWhat it means for you
Type2-channel flagship battle mixerBuilt for scratching and turntablism
SoftwareSerato DJ Pro focusedDeep integration — but no rekordbox
DisplayFull-colour touchscreenBrowse and perform without the laptop
BuildSolid steel, tour-readyRane’s legendary road durability
Mic sectionFaceplate controls, level meters, mic-to-line switchingBetter than the S11 for hosts and MCs
SamplerRoutable to its own channel with a dedicated filterFilter and effect samples independently
ConnectivityDual USB; footswitch supportSeamless changeovers; hands-free FX
Price~$1,899 (check local)About $100 under the DJM-S11

(Prices vary by region and over time — the smaller Rane Seventy sits below it at around $1,699. Confirm current local pricing before buying.)

Why Turntablists Stay Loyal to Rane

Rane’s standing among scratch DJs isn’t marketing — it’s decades of mixers surviving road abuse and feeling right under the hands. The Seventy-Two MKII continues that: solid steel construction, a layout refined over generations of battle mixers, and a fader that owners describe with the kind of affection usually reserved for instruments. Reviewers who’ve owned one for years still call it their favourite. In a category where the crossfader is effectively the whole product, that reputation carries real weight — and it’s why the Pioneer-versus-Rane debate never resolves.

What’s Great About the Seventy-Two MKII

The Best Microphone Implementation in the Class

This is where it clearly beats the DJM-S11 and it matters more than spec sheets suggest. The mic controls sit on the faceplate rather than hidden on the front edge, there are level meters (which the S11 lacks entirely), and the mic inputs can be flipped to line level — turning them into extra inputs when you don’t need a microphone. For DJs who host, work with an MC, or play weddings and events, that’s a genuinely better design.

Smarter Sampler and Effects Control

Both mixers can route the Serato sampler to its own channel, but the Seventy-Two MKII adds a dedicated filter on that channel — so you can filter and shape samples independently of your music, which opens up creative routines the Pioneer can’t quite match. It also uses a dedicated effects button rather than requiring a Shift press, which is faster in performance, and it supports a footswitch for hands-free effect triggering while both hands stay on the platters.

Built for the Road, Updated Over Time

The steel chassis is built for touring abuse, and dual USB connectivity means two laptops can be connected for clean DJ changeovers — essential at battles and multi-DJ nights. Rane has also added features via firmware over the mixer’s life, including Scratch Bank, so the unit has genuinely improved since launch rather than stagnating. Pair it with Rane’s Twelve motorised platters and you have a complete turntablist rig without vinyl.

What to Watch Out For

  • Serato only. The biggest limitation versus the DJM-S11, which also supports rekordbox. If you prep in rekordbox for club gigs, that’s a real workflow split.
  • No four-deck control. The S11’s Deck 3/4 feature has no equivalent here — you’re working with two decks.
  • Only ~$100 cheaper than the S11. Given the Pioneer’s extra flexibility, the price gap is narrow enough that features, not cost, should decide it.
  • Only buy it if you scratch. Same rule as any battle mixer — two channels is a limitation, not a feature, for anyone who doesn’t.
  • Not a club-install mixer. Booths run 4-channel DJMs; this is your own rig.
  • Design is evolutionary. Some reviewers wished Rane had pushed further with new possibilities given the full-colour screen on board.

Who It’s Really For

It’s for committed turntablists and scratch DJs who live in Serato, value fader feel and build quality above all, and want the best microphone handling in the category — particularly DJs who host, work with MCs, or play events where a mic matters. It’s also a natural pairing with Rane Twelve platters. Skip it if you need rekordbox compatibility or four-deck routines (the DJM-S11), if you don’t scratch at all (get a 4-channel club mixer instead), or if you want to spend less — the Rane Seventy sits below it at around $1,699.

A Note From NaJade

What I find genuinely great about this category is the rivalry. Rane and Pioneer have spent years trying to one-up each other on two-channel scratch mixers, and DJs are the ones who won — there’s more choice, at better prices, with firmware updates still adding features years after release. If you’re a Serato turntablist, the Seventy-Two MKII is a beautiful piece of equipment, and the mic implementation alone would sell it to me if I hosted. My honest steer is the same as for the Pioneer: this is a specialist tool, so buy it for the discipline you actually practise, not for how professional it looks. And please go and touch both before deciding — I can list features all day, but the crossfader under your fingers is the whole point of a battle mixer, and that’s a conversation between your hands and the machine.

Compare the whole range in my complete DJ mixer guide, or see the software side in the Serato DJ Pro guide. Want help building scratch technique? My DJ lessons run in person in Bangkok or online over Zoom.

Frequently Asked Questions About the Rane Seventy-Two

Is the Rane Seventy-Two MKII worth it?
For committed Serato turntablists, yes — it’s a flagship battle mixer with solid steel tour-ready build, a full-colour touchscreen, dual USB connectivity, and the fader feel Rane is famous for. It also has the best microphone implementation in its class. At around $1,899 it’s a serious purchase, and it only makes sense if you actually scratch. If you don’t, a four-channel club mixer will serve your sets far better for similar money.
Does the Rane Seventy-Two work with rekordbox?
No — the Seventy-Two MKII is built around Serato DJ Pro, and that’s its main limitation compared with the Pioneer DJM-S11, which supports both Serato and rekordbox. If you prepare music in rekordbox for club gigs, you’d need to maintain two workflows or switch platforms. If you’re already a committed Serato user, this isn’t a drawback at all, since the integration with Serato is deep and well developed.
Rane Seventy-Two vs Pioneer DJM-S11: which should I buy?
They’re separated by roughly $100 and both are excellent. The Seventy-Two MKII wins on microphone implementation (faceplate controls, level meters, mic-to-line switching), a dedicated filter on the sampler channel, a dedicated effects button, and footswitch support. The DJM-S11 wins on software flexibility (Serato and rekordbox), Deck 3/4 control for four-deck routines, and its Magvel Fader Pro. Try both in person — crossfader feel usually decides it.
What’s the difference between the Rane Seventy and Seventy-Two?
The Seventy-Two is Rane’s flagship and includes a full-colour touchscreen for browsing and performance information, while the Seventy is the more affordable sibling at around $1,699 without the screen. Both are two-channel Serato battle mixers with Rane’s steel build and fader quality. If you want to reduce laptop glancing during routines, the screen justifies the step up; if not, the Seventy delivers the core battle-mixer experience for less.
Is the Rane Seventy-Two good for mobile and wedding DJs?
It can be, with a caveat. Its microphone section is genuinely the best in the battle-mixer class — faceplate controls, level meters, and inputs that switch to line level — which suits DJs who host or work with an MC. However, it’s still a two-channel mixer built for scratching, so if you don’t scratch you’d usually be better served by a four-channel club mixer offering more inputs, more routing, and a booth-standard layout for events.
Does the Rane Seventy-Two still get updates?
Yes — Rane has added features to the mixer via firmware after release, including Scratch Bank, which lets you instantly load scratch samples from performance pads. That ongoing development is one reason the mixer has aged well and remains competitive against newer rivals. It’s worth checking Rane’s official downloads page for the latest firmware when you buy, particularly if you’re purchasing a used unit that may not have been updated.

About the Author

NaJade is a Bangkok-based DJ playing progressive house, melodic EDM, pop, and Thai music across clubs, rooftops, and weddings in Thailand. He teaches beatmatching and mixing to beginners both in person in Bangkok and online over Zoom. When he’s not behind the decks, he’s documenting the journey on YouTube, Instagram, and TikTok.

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